![]() |
| Two versions of Maia's cover art for the 'Redorik' series. |
Where comic books are concerned, it's a two-part medium; defined as equally by its script as it is its art, truly great comics meld the two together to create a fantastic experience for readers. We feel Redorik is one of those stories, where Howard Wong's knack for storytelling marries and bonds perfectly to the artistry of Brazilian artist Pedro Maia. This week we chatted with Pedro about his work on the first issue of the series, his inspirations and influences and his hope to finish what he, Derrek and Howard started.
---------
![]() |
| Redorik artist Pedro Maia |
Andrew Ardizzi: Every artist has their influences, works that inspired them or a
specific artist they try and pattern themselves after. Growing up, and
even now, who are some of your influences in the comic book industry?
Pedro Maia: To be really
honest I draw inspiration from every good artist I've seen, and there
are lots of them in the industry! Some of them I can't even name, but I
do recognize their work easily. But if I had to pick one, that would be
the amazing Adam Hughes.
AA: Where do you think those influences come out, or are clear in your work whether it's on The Oz/Wonderland Chronicles: Prelude to Evil #1, Hollows, Bloodwork or in your work with us on Redorik? Are you even consciously pencilling, inking or colouring in those styles when you work, or is it more that you've been exposed to all these different styles throughout your life and you've organically evolved your own style as you've grown as an artist?
PM: That's a hard
question, because I don't believe I have developed my own style yet. I'm
still trying different things and sticking with the ones that work for
me. But still, there's a long road to go.










